This week for ICAD, I am featuring
Pennsylvania Dutch motifs from
Frakturs. Fraktur-schrift, as it was
termed in Germany, was a form of calligraphy
named after the 16th century typeface called Fraktur.
(When I learned calligraphy in high school, we
called this style Old English.) Frakturs were illuminated
documents such as birth and baptismal certificates,
book plates, house blessings and valentines.
Frakturs were highly ornamental, hand drawn and colored,
and usually executed by the schoolmaster
or clergyman, though itinerant artists
were also sometimes available.
or clergyman, though itinerant artists
were also sometimes available.
The schoolmaster was expected to prepare important
documents, and also teach his students how to write.
Sometimes the schoolmaster would use an example
of his calligraphy as a reward and token of regard,
presented to one of his students.
Promising students would copy their schoolmaster's
calligraphy models, but usually with a few changes of
their own, thus developing their own style.
This week's index cards feature motifs that would
be just one small design within the very complex Fraktur.
be just one small design within the very complex Fraktur.
Highly stylized decorative flowers and birds
were favorite motifs, as was the heart. Animals
were also sometimes included, such as stags and
unicorns. Some Frakturs feature angels or mermaids.
When you consider that the artist was using a
dip pen, these detailed art works are even
more impressive. Dipping a pen nib into an ink bottle,
controlling the pressure and direction of each stroke,
with an eye to the spacing, form
more impressive. Dipping a pen nib into an ink bottle,
controlling the pressure and direction of each stroke,
with an eye to the spacing, form
and shape of each letter is quite an intricate task.
Sadly, the increasing popularity of the printing press
decreased the demand for hand-lettered documents.
Fortunately, the highest grade of cotton rag paper
created by Pennsylvania papermakers has
helped these records survive for us to enjoy today.
Source: Treasury of American Design, Vol. 2;
by C. P. Hornung; Abrams Publishing, c. 1973.