Showing posts with label sketchbooks. Show all posts
Showing posts with label sketchbooks. Show all posts

Tuesday, April 21, 2020

Mad Tea Party 2020



Revisiting a drawing from 2018,
Johnny Depp's portrayal of the
Mad Hatter...



I've always wanted to have a Mad Tea Party!
With mismatched cups, tea, cakes and cookies.
And maybe some art projects too.



My drawing after Sir John Tenniel's
original illustration of the Mad Hatter.




Perhaps we should just not invite the
Queen of Hearts. She seems a bit
temperamental...




Hopefully we can avoid any swimming 
incidents,




and the wild  mushrooms will be tasty,
but not hallucinogenic in any way.




We can finish off with some tarts!
Would you like strawberry or cherry?


And of course, there must be tea!
Linking up with 'Tea for Tuesday'
blog party over at Altered Book Lover.
Stop by for a chat.


Friday, August 17, 2018

Fake Journal Wrap Up


April is the month each year that I
create a Fake Journal.  Four months have passed
and I'm just now getting around to posting
a Wrap Up of this year's project.




Stop by my Fake Journal blog,
all of the images from this year's Fake
Journal, and my thoughts on the process.




I think Eccentric is fun,
don't you?







Tuesday, September 4, 2012

Sketching at the Fair


I spent some time sketching at
a county fair this week.

The Fulton County Fair is
 one of the largest county fairs in Ohio.
With all the traditional arts and crafts exhibits,
animal barns, several ride and food midways,
and big name entertainment, it usually has 
excellent attendance.  'Styx' was playing
at the grandstand the night we were there.

I spent an hour of my visit sketching
a few of the animal exhibits, as inspired
by Roz Stendahl of Roz Wound Up.  I
can't make it to the Minnesota State Fair,
but got a good taste of 'sketching 
in public,' with minimal preparation and
not too much anxiety!

I think the 'dairy cow,' above, is
the best one of the four that I did.
Not sure if the head is large enough in
proportion to the body, but felt that I
did ok with it over all.


Roz sent me a lovely little sketchbook (pages
about 5"x6")  that she made and
 it was a good size to sketch in while
standing up. I used a Sharpie pen and 
watercolor pencils for these drawings. The
plumage on this little rooster was so beautiful,
but he simply moved around so much that I
had difficulty capturing him. He had those 
great tufts of feathers on his feet (there's 
probably a proper term for that but I don't know it)
and marvelous black and white feathers.
In retrospect, I wish that I had drawn just
a single feather detail to show how
one feather looked. Next year...




I first focused on the pen sketch, then added
bits of colored pencil in areas where I
wanted to add color or shading. I don't 
own a 'water brush' so I thought this
would be an acceptable alternative.
I was able to place the little sketchbook
on top of the metal watercolor pencil box
as a drawing surface. I used water on the 
pencil sketches when I got back to
a table and a glass of water.



Some challenges and things I learned:

* Animals MOVE. A challenge in itself.  Even if you choose
a sleeping animal to sketch, fair goers may come along
and pet the animal and cause them to move.
I do not ever try to touch animals I don't know, 
unless the owner is nearby and says it's ok.
Even 'little bunnies' can give you a serious 
bite or painful scratch! Fair goers don't always
keep this in mind.

Sketching a moving subject can be a bit difficult for me.
Although, when the animal moves, you can sometimes
change your vantage point to compensate.
The cow was the least inclined to move, the rooster
the most active. (and he had a loud crow for a little guy!)
It was amusing though, that the animals were quite
aware that I was standing there longer than most.
The goats came looking for a 'snack' or a scratch
on the head. The cow turned its head and gave me
a questioning look like "what are you up to?"

*People may want to look at what you've drawn.  One 
older couple told me the dairy cow was "pretty close."
I'll take that as a compliment. It's not always easy
to ignore interested passersby, or reply to their
comments. As an artist, it's easier for me to show
finished work rather than 'work in progress,' so that
was a thing out of my comfort zone. Though 
attendance was good the day I was at
 the fair, it wasn't so crowded as to 
have people bump into me. That would have been
another challenge, but as long as I kept the drawing
'loose' it wouldn't be a huge problem for me.

*Drawing while standing is not a problem. Not having
a table or area to lay my tools was a learning experience.
Roz's suggestion is a Fanny Pack or lots of pockets.
I can see how cargo pants would be terrific to sketch in.
But I don't own cargo pants or a Fanny Pack. I do
own a back pack, but having to get it down off my
shoulder to get stuff out was awkward.  I found myself
sticking the watercolor pencils in my mouth while
sketching in pen. Probably not the best idea. I know.
But it served. Next time, I'll choose
 clothes with more pockets.



The hand made book from Roz, above, a gift for 

participating in her 'Fake Journal' challenge.
 The Strathmore 500 mixed media paper was 
a wonderful paper to work on. The black cover has a 
bit of sparkle with copper metallic paint brush strokes.

*The smaller sized sketchbook was easier to handle
than my larger spiral bound journals would have been.
A larger book would have been too heavy, and
difficult to hold in one hand while sketching
with the other hand.

*I'm allergic to most animals. And hay. And dust.
So I did wear jeans, steel toed boots and socks.
From experience, I know my ankles will break out
from the dust and animal dander, and this year was 
no exception. Benadryl cream is helpful. I'll live.
I don't go visit the horse barn, though. Horses are quite
beautiful, but asthma is very unpleasant. I did take a 
quick peak at the miniature horses getting lined up
in preparation for their show in the arena, but I didn't
stay long, or try to draw them.

I enjoyed my sketching experience. I only
sketched for about an hour.  With more time I could
have drawn pigs or flowers or people. There is a 
wealth of subject matter at the fair!


Wednesday, August 15, 2012

Sketchbook Revisited


While searching for something from
my daughter's old 4-H days, I came
across some old sketchbooks.
The tree, above, is a favorite.
Other sketches in this book were 
dated 1989.





I used to do black and white pen drawings
for our church bulletin cover. Probably
drawn from photos in magazines, but 
I am not sure. It's been quite a few years.





















Monday, February 15, 2010

Trees in my Art


Pen sketch in my art journal
Woodpile under snow
Jan. 2009
You can see the Maple tree in the background,
along with Pines and a Pin Oak...




Watercolor done while painting with a friend.
Portion torn from practice page & mounted
in my art journal, 2009




Pen drawing inspired by Klee's art,
especially the "Twittering Machine"
2007




My first ever "Tip-In" for an altered book swap!
Watercolor and collage
2005




Watercolor in my art journal
Lake Erie park
2005




Pencil sketch from a Chinese art scroll
by Dong Qichang, Toledo Art Museum.
Watercolor added after returning home
2005
This scroll was housed in a glass case, and
the lights came on in the room as you entered, in order
to minimize light damage to the colors. As I stood and sketched,
the lights went out because I hadn't moved much, so I had to
walk around a bit every few minutes to keep the lights on
while I sketched!




Pen and colored pencil in art journal,
from a National Geographic magazine photo.
2003
Ruins of sculpture (South America or Mexico?)



Pencil sketch done in my sketchbook/art journal, 2001
Camp Avery Hand, Ohio (a Boy Scout Camp)
Had to darken the scan a bit...

Trees are a recurring image in my art.
I am intrigued by their variety of texture,
shape and personality. Bare winter trees
are even more interesting to me
as they have a sculptural quality
silhouetted against the sky.

Dawn asked if I have different journals for different media. I actually work in a journal until it's full, so the different media are all mixed in one book. It usually takes me a couple of years to fill a sketchbook/art journal.(So I am not terribly prolific!) I have one main art journal at a time, but might work in other smaller journals sporadically. This blog has served to inspire me to make something to post at least once a week!

In looking at my older sketchbooks, I did a lot of note-taking about composition, media techniques and ideas to be explored. I also enjoy collecting quotes about visual art, music and creativity, so those are also found in my journals. I believe an art journal should be whatever you want it to be, so pretty much anything goes. I have been known to glue in brochures from museum visits, write in notes from the exhibits I saw there, or paste in magazine clippings that I like or think might inspire some artwork later. The art in my journals reflects where I am in my development as an artist, so my older journals tend to have more drawings & watercolor work in them. As I've experimented with mixed media and combining elements of painted papers, drawing, fabric, and hand-carved stamps in collage, that is reflected in my art journal as well. Inspiration can be found almost anywhere. I hope you will act on that inspiration and create some art!